An interplay between effort and ease: Lauren Rile Smith and Francois Zayas

Lauren and Francois

The latest “blind date” from Cross Pollination! Today we meet:

Lauren Rile Smith (trapeze, circus arts)

Francois Zayas (music, composition, percussion)

Muscularity mixed with grace. This was a theme that emerged in both their applications.

lauren door 1Whether expressed through a virtuosic solo on maracas or the twisting expertness of a trapeze act, this pairing grew partly from a sense that both acrobatics and jazz are art forms that require intense training, years of study in almost formulaic muscle memory, in order to achieve a sense of freedom and flight in the moment of performance. They are also both mediums that depend on deep trust – of the instruments/objects used to perform, of the people who join us in that performance – in order not to falter and fall.

Francois: “Through all the years of my career I have experienced the benefit of collaboration with other artists many times. This is something that I seek out in francois maracasmy everyday life and constitutes an essential part of my creative process.”

Lauren has mentioned to me in the past that she is often seen as unique in her work for being a woman who acts as an acrobatic “base” or support (a position usually occupied by male performers). It strikes me that perhaps (though I will admit to having had only the first tastes of the banquet that is jazz music) it is also unique to have a percussionist as the leader of a jazz ensemble. In this way both of these creators strike me as participating in tradition while simultaneously innovating within it. It also seems as if your part in your artworks creates a kind of foundation, a ground floor on which everything else can be built.lauren trapeze

Lauren: “I see a powerfully interdisciplinary potential in circus, as an art form that straddles genre, from dance theater to variety-hall burlesque.”

And there’s a parallel too in the way that their works re also a vehicle to express personal identity: be it in the way we are allowed to see a female body moving through the air or in the awareness of how one’s Caribbean roots can be expressed through pulsating waves of rhythm.

Pick three adjectives that describe the stuff you make:

Lauren: feminist, muscular, inventive

Francois: Unique, thoughtful, Cuban

francois drums close

Credit: Alan Jackman

This was a conversation that wove its way through all these things and more: Lauren talking about the way that the aesthetics of ballet are sometimes necessary in trapeze but sometimes not, Francois talking about how standard jazz improvisation has become a default that people expect but might not really strengthen the composition of the music.

Thanks to both of you!

– A

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